Instructions for Forgetting
description
“I ask my friends to send stories and videotapes. For the stories I ask for things that are true. The topics can be anything. I ask for short reports on things that have happened in the world. For the tapes I say: Don’t make me anything special—send what you have.”
Using home movies, letters and videotapes from friends alongside recordings of world events, Instructions for Forgetting explores video as an artifact, as a container of image and memory and as an occasion for speculation, storytelling, fiction, interpretation.
A solo performer (Tim Etchells) and a video operator (Richard Lowdon) sit at their tables in a space strewn with video monitors, VCRs, cables, untidy stacks of videotapes. The performer speaks, relaying stories, speculations, letters from friends in different parts of the world. Images are continuously rewound, narratives fast-forwarded, slivers of the past caught in freeze frame, fiction drawn out in an agony of slow motion. Part intimate essay, part fragmentary narrative, Instructions for Forgetting is a surprising and comical documentary performance, at the centre of which is the process of mapping the links between personal history and the broader histories called culture and politics.
© Tim Etchells/Richard Lowdon/Hugo Glendinning 2001. Theatre performance.
Credits
Written and performed by Tim Etchells in collaboration with Hugo Glendinning (video) and Richard Lowdon (design).
Commissioned by Wiener Festwochen 2001 (Vienna).
gallery
Instructions for Forgetting
Instructions for Forgetting
Instructions for Forgetting
Instructions for Forgetting
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Press
"a canny and unnerving multi-media work... Happily belying its title this hypnotic, quirky original is bound to be remembered."
Time Out New York
“funny, sad, oblique and moving...one of those rare theatre experiences where artist and audience find a kind of communication which makes you forget all about time and space... one spectator said after one and a half hours “ I could have listened for hours” - She wasn’t the only one.”
Wiener Zietung








